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Projects

"Spire City Noir"
"Spire City Noir Anthology"
"Spire City/Johnny Saturn Series Bible"
"Johnny Saturn No 18"
"Johnny Saturn Planar Eclipse"
"Medieval Book of Lists"
"Name of the Shadow"
"Requiem"

New Johnny Saturn Reviews

Johnny Saturn: Synns of the Father

on February 10, 2017
Format: Kindle Edition
Synns of the Father was my first foray into the enigmatic and fun world of Johnny Saturn. Created by Scott and Benita Story, readers are introduced to a wondrous setting where superheroes and villains remain colorful and enjoyable.
A former detective with the Spire City Police Department, Johnny has become so much more. With a skill set that rivals many of the iconic comic book vigilantes of our time, Johnny is capable of hammering out punishment to even the most powerful characters within this world. And that is something that is not often seen in main stream comics.
Driven by an innate sense of justice and a passion to bring the criminals to an end, Johnny Saturn is a no-nonsense take-it-straight-to-the-bad guy character. One who has paid for his passion in physical punishment beyond what ordinary men could endure. Despite an addiction to pain killers, Johnny Saturn enters a dose of reality into a world where angels, demons, and meta-humans are no better or worse than the populace at large-and yet capable of so much more.
Johnny Saturn is a fast paced fun ride that has been salted with psychotic and often sociopathic villainy. In this, Johnny Saturn is a unique character capable of feats beyond the human capacity in a world where super powered individuals appear as a commonality.
For me, Johnny Saturn harkens back to the days when Teenage Mutant Ninja Turtles, Savage Dragon, and Freak Force could be watched on Saturday mornings – then takes it to a whole new level.
I truly enjoyed the mixture of written prose in addition to sequential storytelling that offered a deeper insight into the characterization contained within this exciting tale. In many ways, it is very much a bountiful marriage of novel and graphic novel into one.
Johnny Saturn: Synns of the Father has become a welcome addition to my library of graphic novels, comics, and literature.

Johnny Saturn: Synns of the Father

on January 11, 2017

Format: Kindle Edition
Another great graphic novel by Scott A. Story. I really liked the first in the series, and this, the second, continued on right where the first left off. I like the story-line, the writing and the art. The author/artist has some serious talent.

A Great Super-Hero / Super-Villan Story

Highly Recommended.

4.5 of 5 Stars (rounds to 5)


City of the Broken Gate

A Great Story on January 1, 2017
Format: Kindle Edition|Verified Purchase

At first, I was a bit skeptical about this story. The dialogue in the first part of the book was a bit weak in my humble opinion, but the more I read, the more it grew on me. Knowing the author is also a comic writer, it felt as it he was writing short sentences to fit into a text bubble. But that didn’t last long.

I was immediately drawn into this story. It had so much involved; heroes, meta-heroes, aliens, ancient beings, ancient technologies, myths, legends, conspiracy theories…what’s not to like? But would it be too much for one book? Turns out no. There were parts of this book that were simply brilliant. I would have never put all these things together as the author has. It still felt like a graphic novel/comic, but that didn’t detract from the whole. I recommend this novel to anyone that enjoys Fantasy, Science Fiction, Pulp Fiction, Graphic Novels and Comics with heroes.

4 of 5 Stars

Excellent Interview on Lurking in the Shadows

This is from the blog Lurking In the Shadows by indie author Mike Wolff. As you will read below, Mike actually works at the same hardware store I work at. It’s a small world kind of thing. Please check out Mike’s novels, widely available online.

 

Today on the blog we have a first!

I had something weird happen at my part time job the other day.  I found out that I work with another author.  Not only is he an author, but he’s also a cartoonist and graphic novelist (our first on the blog).  Wow.  Small world.  After talking a bit, I bought one of his books later that night and gave it a read.  I was impressed.  So I asked him for an interview. 

Please give a warm blog welcome to Scott A. Story.

Welcome Scott!

Thanks, Mike—my pleasure!

Scott, can you start out by telling us a little bit about yourself?  Who you are, what you do, where you’re from…that sort of stuff?

Sure.

I was born on a military base in Spain, but have spent my whole life here in the Midwest USA. I have a wonderful wife, Benita Story, who is my co-plotter on my graphic novels, and we’ve been together for 32 years so far. I got my college degrees in Medieval History and Creative Writing. Like most nerdy kids, I grew up a child of the media, and I was exposed to tons of novels, comics, television shows, movies, and any other type of Pop culture. I began to read early, and devoured all of J.R.R. Tolkien’s books early on, and developed an early passion for the fantasy and science fiction of Michael Moorcock. There are many other writers who made a strong impression on me, such as H.P. Lovecraft, Robert E. Howard, Paul Anderson, Marion Zimmer Bradley, Katherine Kurtz, Stephen R. Donaldson, Edgar Rice Burroughs, and a long list of others.

Even as a little kid I wrote a bunch of prose stories and drew stacks of horrendous minicomics.

How did you get started drawing?  Has your art been published?

As I mentioned, I drew as a kid and teenager, but pretty much let it go as I discovered girls, cars, and parties, and then later got married and went to college. My love of medieval history stems directly from my passion for medieval fantasy books and Dungeons and Dragons.

When I was thirty, I went through something of an existential crisis when my dad passed away, and I began drawing in earnest. Initially I set my goal as drawing for the big comic publishers, Marvel and DC, but I quickly outgrew that and developed my skill base into becoming an all-around illustrator. I didn’t go to art school, but taught myself with whatever how-to books and articles I could find and lots and lots of practice. To this day, I have a habit of keeping and filling sketchbooks with studies and ideas in development, and I number these books and treat them as almost art journals of sorts, full of notes, studies, and finished art.

I began to do semi-professional work when I was thirty-two, moving quickly into indie-level professional work, and over the next decade I drew hundreds of pages of comics for publishers like Image Comics, Arrow, Digital Webbing, Amp, and many more. I also created book covers, CD covers, band posters, advertising art, website graphics, and much more. I worked as a real-estate title searcher during the day during this period, and didn’t quit and become a full-time artist until around age 39 or 40.

When you decided to add writing to you repertoire, how did you make that decision?  Was it easy, or did you have to talk yourself into it? 

I’ve written for as long as I’ve drawn, and prose is second nature to me. While I self-published my “Johnny Saturn” comics and graphic novels, I also wrote a long list of supplemental short prose short stories set in the same Saturnverse world. Before this, all my novels and short stories had been set in medieval fantasy worlds, but I found writing for our contemporary world and indulging in the odd form of science fiction I create was very natural for me. I had a lifetime of watching Star Trek that influenced this move, as well as other science fiction that I had read or watched. I had always been fascinated by magic, and by this point I had arrived at my belief that magic is simply a mental science from the Ancient or Antediluvian world. You can see that idea pop up throughout my comics and prose.

Your first (traditional) novel, City of the Broken Gate, revolves around the same characters that are in your graphic novels.  First off, can you give us a short introduction to the world you’ve created and the characters?  Then can you give us an idea of what we’ll find in that first novel?

You can call it the Saturnverse or the Spire City world, but essentially it a combination of urban fantasy, horror, science fiction, and the superhero genre. The protagonists are classic superheroes, but the setting they operate in is a mix of ancient aliens, the paranormal, cutting edge science, Nazi villains, and everything from stargates, angels, demons, zeppelins, cyborgs zombies, and gang wars. I also explore mental illness, addiction, and dysfunctional family dynamics. All this may sound too disparate to be cohesive, but it is. I guess it sort of mirrors the way I think. I have a lot of interests, I suppose.

How much time do you allow each week for writing?  Drawing? 

I write when I can find some quiet time with my computer, often late at night. When I write, I have to have silence, and I have to be in a collected mood. I have to be somewhat inspired, because if I force it then I’ll simply produce garbage. Because of all this, I often go weeks or months without writing. When the story is ready to come to me, and I cannot deny it—then it’s time to get to work. I know lots of writers of various levels of success who write every day, have a set schedule, and report their word count every day online. That is not me. For me, words are a kind of magic, not tennis shoes I pull on every day to go to work.  Creativity is sacred to me, and I have no wish to dilute it and discredit it by forcing myself to hack out material.

On the flip side of the coin, I draw a little every day. I have to for sanity reasons. If nothing else, I have a sketchbook in my car and I draw in the parking lot outside work before I go in and clock in. The endorphin rush and the serenity that comes from this form of artistic meditation is tremendous. It keeps me balanced and sane in an environment where I am constantly assaulted by interruptions and general psychic chaos.

I try to put at least one fun question into every interview, so we can really get to know you, so here it is.  Which of your characters would you want to go have lunch with most?  Where would you go, and what would they have to eat?

I would sit down and have a long talk with Greg Buchanan, aka Johnny Saturn II. He’s a bit of a super shaman, and I believe he could shed light on some of the mysteries in life that have wondered about over the years. Greg is a cheeseburger kind of guy, probably with onion rings or cheese fries.

What motivates you to continue your craft?

I’ve thought about this a lot over the years, but ultimately I’ve come to the conclusion that creative people are wired differently than everyone else and they simply have to create or they become depressed and unstable. We have to do something or we’ll break up. If I don’t draw some every day, I get depressed and my mental state gets out of whack. Because of this creative drive, I also play and sing music, and I have a passion for guitar and other stringed instruments. I practice meditation to keep focused and clear my mind, otherwise the noisy mental clutter will drown out any sort of objective thought. I have to draw and write. It’s not a choice for me.

I should also add that I have a lot of unusual ideas and observations, and the only way that I effectively share them is by clothing them in fiction. The graphic artist sees the world in a starkly different way than does everyone else, and the writer sees patterns and themes in life that most people are oblivious to.

Promotion is an important part of being an Indie Artist.  What techniques have you used that worked?  What hasn’t worked?  What, if anything, do you plan on trying in the future?

I’m still rather new to working in the traditional prose market, so there is not a lot for me to say there. Promoting a comic, however, is different. It’s a big mix of paid advertising, social media, interviews, podcasts, cross-promoting with more popular comics, book signings, reviewers, conventions, webcomics, and so much more. With over twenty years in comics, and over ten in self-publishing, I can also attest that the nature of the promotion game has changed radically over time. The internet grew up and came into its own at the same time, and opportunities and dead ends came and went with increasing rapidity. What works now has no guarantee to be working in a year’s time.

Comics are different also in that promotion comes with a healthy dose of desperation. It is a constant battle to grab the readers’ eyes when you are in a virtual ocean of other comics trying to get those same eyes on their work. Promotion is an almost daily chore, and it seems as if you are treading water in rough seas with your hands and feet tied. It’s a battle, no joke.

Publishing: Graphicl Novel vs. Traditional Novel…which was harder and why?

It probably comes as no surprise that creating a graphic novel is several magnitudes more difficult than a traditional prose novel. It takes a long time to write, draw, ink, color, and letter a comic page. In fact, if  you have a full-time day job, it takes about a week per page. Add to this that sequential storytelling is a rather specific art form with its own rules and approaches. While writing long-form prose is no less easy, it is far less labor intensive. Prose allows you to decompress your storytelling quite a bit and explore the tale in a deeper way.

One last question, what advice would you give any aspiring artists/authors out there?

Before I answer that, there are a few things that need to be said here. If someone is set on becoming an artist or author, there is nothing that you can say that will effect their decision. Even if they are not good, they will pursue it. Also, you can explain the difficult economic realities awaiting artists and writers, but this will fall on deaf ears too. Every would-be creative person believes that they will be the exception, that they will find great success where others have fallen. This is not a bad thing, because they could possibly be right. An artist with limited talent may have just the drive and the artistic voice to take them to the top of their field and really make a difference. I’ve made a point of mentoring a lot of artists over the years, and at least two of them have gone on to much greater success than I have. That makes me feel good in ways you cannot believe.

Art school can help develop an artist, but at the same time if the artist has the drive then all the educational materials in the world are out on the web for free. I believe it’s better to educate yourself. In all my years of free-lance illustration, no one, and by this I mean absolutely no one, has ever asked what art school I got a degree from. Customers don’t care. All they care about is what you can do for them right now, and either you’ve got it or you don’t. If you feel you need to go to art school, fine, but in my way of thinking you are building up tuition debt that will follow you for years, and it won’t change the end product that much.

I got a degree in Creative Writing and have also read probably a hundred how-to books on writing and all its sub-skills (dialogue, plot, world creation, etc.) As far as I am concerned, a little of this is good, and too much clouds your judgement and restricts your writing. Because of this, I have not read any writing how-to books in about a quarter of a century. My feeling is that you should go write a lot, and learn on the job, and not read about writing instead. Find your own way. Be your own teacher. Observe the world and stories by other writers. This is as close as I get to writing advice.

Scott, I want to thank you for your time.  We’ve enjoyed getting to know you a bit more.  I wish you all the success in the world.  Readers, you can follow Scott at the links below.

Thanks again!

http://www.johnnysaturn.com/

https://www.facebook.com/johnnysaturn11

https://www.facebook.com/johnnysaturn/

https://www.amazon.com/Scott-A-Story/e/B0081LHY72

Spire City Noir No 1 Available

After many delays, “Spire City Noir” no. 1 is available. You can only get it right now on Drivethrucomics.com as a PDF or CBZ, but soon the hard copy will be available from Indyplanet.com and the guided-view version from Comixology.

This full-color, standalone issue comic is written and colored by Scott A. Story, penciled and inked by Les Lindon Garner, the cover is colored by Mike Harper, and edited by Benita G. Story. It’s got 18 pages of story and a sketchbook page.

“Johnny Saturn was already prowling the streets of Spire City long before the events of “Johnny Saturn: Synns of the Father,” and this is the story of one of his early adventures. Written by series writer Scott A. Story, and drawn by the super-talented Les Lindon Garner, this is a hard-boiled tale of revenge and redemption. Even the grave’s cold embrace is not enough to keep one young woman from finding justice!”

The Good Fight 3: Sidekicks

Cover I recently did for a group I belong to.

 

I’m sad to say that I did not contribute a story to this anthology. I simply could not come up with a “sidekick” orientated stand-alone story.

This happens with themed anthologies. I didn’t have anything for Metahumans vs. Zombies, back in the day, because I am so cut off from the zombie genre.

 

 

What do you mean it’s already 2017?

Really, where did the time go?

A new review of “City of the Broken Gate” by local author Mike Wolff:

At first, I was a bit skeptical about this story. The dialogue in the first part of the book was a bit weak in my humble opinion, but the more I read, the more it grew on me. Knowing the author is also a comic writer, it felt as it he was writing short sentences to fit into a text bubble. But that didn’t last long.

I was immediately drawn into this story. It had so much involved; heroes, meta-heroes, aliens, ancient beings, ancient technologies, myths, legends, conspiracy theories…what’s not to like? But would it be too much for one book? Turns out no. There were parts of this book that were simply brilliant. I would have never put all these things together as the author has. It still felt like a graphic novel/comic, but that didn’t detract from the whole. I recommend this novel to anyone that enjoys Fantasy, Science Fiction, Pulp Fiction, Graphic Novels and Comics with heroes.

4 of 5 Stars

 

A wonderful piece of fan art by local artist Zach Yarbarough:

Midwest Musings, Near Naptown

By Les Lindon Garner

By Les Lindon Garner

All three Johnny Saturn trade paperbacks are now for sale for 19.95 each. This is a $5.00  saving on Johnny Saturn: Homeland Insecurity, $10.00 on Johnny Saturn: Intelligent Redesign. The Kindle editions are still $7.99 each.

Today I’m putting out Johnny Saturn: Intelligent Redesign as a PDF and CBZ on Drivethru Comics. Kindle version to follow in the near future on Amazon and Drivethrue.

Editing and packaging are underway for Spire City Noir no. 1, aka Johnny Saturn: Hauntings. I’ve got a few surprises in store for this one.

Tonight, I’m making my 2nd attempt at an interview about City of the Broken Gate with Jim Zoetewey of the Pen and Cape Society podcast Throwing the Gun.

johnny-saturn-mik-vlasity

Hello from the Midwest, Where Politeness runs unchecked

There is lots of stuff going on, my fine friends and capable compadres.

My interview with Jim Zoetewey of the Pen n Cape Society’s podcast “Throwing the Gun” was grounded due to sound issues. This is a good thing, because in retrospect I realized that I was already exhausted from a long day at work and long weeks of physical labor. I rambled, and I lacked focus. That’s my opinion, anyway. The offer is open to record it again, and I may take them up on it. This time I would be well rested and better prepared. Really, I can use all the promotion I can get for my novelette, “City of the Broken Gate.”

I’ve only got about one day a week to devote to my creative projects right now, but I’m almost done with “Spire City Noir” number 1, aka “Johnny Saturn: Hauntings.”  Meanwhile, Steven Doty, the penciler on “Spire City Noir” no. 2 aka “The Black Dirigible” is recovering from surgery and ready to get back to work on the comic, and newcomer Mike Vlasity is taking over inking duties. I know it’s slow, but we do what we can.

I’m working hard on getting all the trade paperbacks on Amazon.com and Drivethru Comics. For whatever reason Amazon has slowed down on making suggested updates, but I doubt they will hold off forever. Soon, all three trades will be available on Amazon in print (19.95 each) or Kindle mobi (7.99 each), and on Drivethru Comics in PDF, CBZ, and Mobi formats. Indyplanet (Print) is currently up-to-date, and I’ll deal with getting the trades on Comixology soon after that. Eventually I plan to get these books onto other digital platforms, but I have to call for patience. It takes time to arrange these things. Additionally, I want to maximize the services offered on my current outlets before I move on.

Scott

 

Behind the Scenes . . .

Right now I’ve got plenty of things going on behind the scene, but none of it has come to fruition.

For example, I’m closing in on completing “Spire City Noir: Hauntings,” and “Spire City Noir: The Black Dirigible” is still progressing. I’ve got an interview in the can with the Pen & Cape Society, but they haven’t finished editing it yet.  Repackaging and updating of old material continues, and will continue for a while.

In case you have missed me, here are some videos I’ve made.

 

 

 

Guided View And Other Mysterious Subjects

Hi, Everyone!

Big Announcement: “Johnny Saturn: Synns of the Father” is now available for the Amazon Kindle as a guided view comic. Honestly, this format is such a neat way to read a comic, with each expanded panel popping up one after another. This book has been published on paper since 2008, but this is an entirely new way to read and enjoy it. It looks very beautiful on my Kindle Fire, I must say. Unlike Comixology comics, I did all the panels cuts myself, and tweaked everything to my standards. This was the first time I attempted to make an entire graphic novel fit this format, but I did, and it’s available!

(In case you are wondering, I am also going to adapt the second and third trade-paperbacks to this format. It takes time, so I’ll do it as I can. My sketchbooks should follow soon thereafter.)

Speaking of Comixology, I should note that issues no. 12 through no. 14 of “Johnny Saturn Unlimited” are now available. That means issues no. 16 and 17 should be close behind! It takes a while, because the good folk at Comixology have to go through and split every book into panels, creating the guided view experience. It’s worth the wait.

Recently, I did an interview with Jim Zoetewey for the Pen and Capes Society’s podcast “Throwing the Gun.” Jim is a superhero prose author as well, and he writes the “Legion of Nothing.” I did the interview to promote “City of the Broken Gate,” but we ended up covering a lot ground. I’ll let you know when the interview is up.

Sometimes I miss doing the “Johnny Saturn” webcomic, but it is wonderful to see all my various publishing projects coming to fruition. The webcomic was incredibly time consuming, and it left time nothing else, not even its own promotion! Without it, I’m able to read again, draw in my sketchbook, sometimes watch shows (Daredevil, Penny Dreadful, etc.), and spend more quality time with my lovely wife, Benita. I will return to making comics, and may even return to making a webcomic at some point, but it’s going to be a while.

Have a great week! Scott.

Available now in Print or Kindle editions!

Now available in print and on Kindle, “City of the Broken Gate” by Scott A. Story. It’s a mad race through the distant past as superheroes are challenged by ancient technology, conspiracy theory, and the power of mystery itself.
#superhero #sciencefiction #ancientaliens #conspiracytheory #horror #mystery
 cotbg-vignette_0005_Vignette 4

Now Available!

Now available in print and on Kindle, “City of the Broken Gate” by Scott A. Story. It’s a mad race through the distant past as superheroes are challenged by ancient technology, conspiracy theory, and the power of mystery itself.
#superhero #sciencefiction #ancientaliens #conspiracytheory #horror #mystery
 cotbg-vignette_0001_vignette 3

Pretentious Potpourri of Patter

Friday night is an odd time to make a blog post, but I feel inspired. It’s and odd time because this is the end of the so-called news cycle and everyone is probably more concerned with their weekend than reading blogs. Well, I’m a rebel, so I’m putting up a post anyway.

“Johnny Saturn Unlimited” no. 12 and 13 are now available on Comixology, so issues 14 through 17 cannot be far behind. Like the other comics in the Unlimited editions, these have lots of extras, and are guided view reading. This latter makes them easy to read on phones, tablets, whatever.
Tonight, I watched two movies.

First, there was “John Wick.” This slick, modern crime noir action thriller was nearly perfect. I’m not going to bother to dissect the plot, dialogue, acting, storytelling, and all the other things I normally go on about with movies. If you like action movies, or crime noir, then you will want to watch this. As a movie, it’s quite beautiful in its hyper-violent ugliness.

Second, I watched “The Hobbit: Battle of Five Armies.” Much has been written about the failings of the Hobbit movies, and many of the hardcore “Lord of the Rings” fans have turned away from this second “trilogy.” Yes, it’s bloated and full of fan service. Yes, the magic is more Dungeons and Dragons than Tolkein. Having said that, maybe it’s time to say a little about what I liked about it.

Thanks to Alan Lee, John Howe, and Wetta Workshop, the sets, costumes, and creatures where beautifully textured and realized.  Martin Freeman was charming as Bilbo. Evangeline Lily was pleasant on the eyes. Smaug was pretty cool.

Really, that’s about all that I can say. The combats were too long to maintain my interest, and many elements were introduced that never were really explored. In fact, some of the action was confusing, with new elements coming and going at a breakneck, choppy pace. The extra plot lines, additional non-Tolkein characters, and background characters fleshed out into bigger roles than they merited, all struck me as superfluous and overdone as, well, dwarves in barrels. Lots of extraneous dwarves in barrels.

More and more, this blog has become about media that interests me, so here are some quick shots:

1) I’m reading Ian Healy’s Just Cause Universe book, “Castles.” I’m really a fan of his work, and he presents a consistent, well-thought out view of superheroes and a somewhat more realistic view of how the world would react to them.

2) I watched the first two episodes of the show “Lost Girl,” about a secret world of Fae that lives among us, hidden in plain sight. I was mildly entertained, but probably not enough to watch any more. I’m not sure what the show later developed into, but the first two episodes was a mish-mash of well-trodden tropes, cliche characters, and clunky, predictable dialogue.  That sounds horrible when I put it that way, but it was really no worse than most television shows. It was somewhat diverting, and the characters likable, so I’ll stop there.

3) I bought one of Neil Young’s archive performance albums, this one from Chicago in 1992 when he was touring with his “Harvest Moon” material. This was the tour where Young  played alone, seated amid a circle of guitars, a piano, and an organ. He was on a creative high during this period, and his music was outstanding. So is this particular performance and CD.

4) My other musical obsession of late is the oh-so-weird Buckethead. I had heard of this performer, but only really looked into him because of his Guns n’ Roses connection. His basic M.O. is that he wears an expressionless white mask, a KFC bucket as a hat, and he does not speak or sing. Essentially, his musicianship is so amazing that alone is enough to carry his shows. Well, that and robot dancing and martial arts. And puppets. So, no matter how weird all this sounds, Buckethead is no joke, and he makes some stunning music.