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Franklin Booth

I’m reading

I’m reading Franklin Booth, Silent Symphony from Fleske Publications. At 50$ US, this is an expensive book. But, its worth it, because most books about Booth clock in at over 200$ US on the secondary market, and there is not a lot of available material out there.

I first became aware of Booth’s work through artists like Frank Cho, a self-professed Booth disciple. Booth is probably the finest ink ever, and while I know that is a loaded claim on my part, studying his work bears that out for me. He was heavily influenced by Gustave Dore, a world-class illustrator whose work in the Vulgate Bible and Dante’s Inferno was widely available at the time. Dore’s exquisite work was made in woodcuts, but young Franklin Booth learned his own version of this style in pen-and-ink.

I’m an old hand at pen-and-ink, and I’ve probably made more illustrations in this medium than any other I’ve done in my own career. I’m a complete novice when compared with Booth’s stylings, but I know enough to recognize superhuman brilliance when I see it.

Franklin was a local lad. He was born about about fifteen miles from where I live, he grew up in Carmel Indiana, and he’s buried in the Old Carmel Cemetery. We often pass the Westfield Friend’s Church that he attended as a young man. One of his earliest employers was the Indianapolis Star. He was friends with, and did illustrations for, both Booth Tarkington and James Whitcomb Riley.

So, Franklin became a superstar in New York, where all the work was to be had, but he never lost his love for Indiana. He came back yearly, usually spending time in a studio he kept on his parents’ farm.

Scott Story
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