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Brotherhood of Broken Men

I am tentatively done with the cover of The Brotherhood of Broken Men. I’ll post it here soon in its completed form, because now I need to go back and do my final edit on the book manuscript it goes with.

This painting has been epic in its own right. It began as a pen-and-ink drawing, then became a line-and-wash painting, and now it has graduated to a large scale (18” x 24”) acrylic painting. This is the second largest painting I’ve ever done, and I’ve been at it for three weeks straight.

I filmed the whole process, from beginning to end, and I learned a lot about my process as I worked. First, I painted and repainted several sections up to three time to get the colors I wanted. Turns out, even through I had a line-and-wash study to work from, I should have collected pictorial examples of all the colors I was aiming for. It would have saved me a lot of time.

Then, I discovered that some acrylic colors will dry darker than how they appeared as I painted them on. Ouch. Not sure how I’ll figure that one out.

Then, for every hour of video I spent painting, that called for about two hours of editing. When sped up eight times for viewing, that edited video turned out to be five to eight minutes of real-time viewing. Three weeks of work will have boiled down to three videos each about ten minutes long. The first video is already posted, and it’s eleven minutes in duration.

Can recording one’s painting process and then painstakingly editing it make one a better painter?

I’m going to go with Yes. Watching my own tedious process has taught me a great deal about which brushes to use, glazing, color mixing, and resourcing correct references. It has also given men a lot of time with the painting to consider every detail and make it better.

Scott Story
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